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This book addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that it's made, have not always been seen as pertinent. This volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation.
- Sales Rank: #2026985 in Books
- Brand: Brand: British Film Institute
- Published on: 2008-01-22
- Released on: 2008-01-22
- Original language: English
- Number of items: 1
- Dimensions: 11.09" h x .75" w x 6.66" l, 1.54 pounds
- Binding: Paperback
- 208 pages
- Used Book in Good Condition
From the Back Cover
Why do we think of clusters of films as 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? "Theorising National Cinema" is a major contribution to work on national cinema, by many of the leading scholars in the field. It addresses the knotty and complex relationship between cinema and national identity, showing that the nationality of a cinema production company, and the films that its made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of a nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issues of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of trans-national cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe. "Theorising National Cinema" also includes a valuable bibliography of works on national cinema.
About the Author
Valentina Vitali is Lecturer in Comparative Film and Media Studies and Paul Willemen is Professor of Film Studies at University of Ulster, Coleraine.
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